- Exclusive offers
- Inspiring new releases
- Personal invitations to Art Events
Preview on your Wall
Scan me and see this artwork on your own wall!
(iPhone only)
Preview on your wall
Point the iPhone at the desired wall (approx. 10 feet distance) and press start.
2014 / 2014 / KBE24
Created in 2014 /
Published in 2014 /
No. KBE24
KBE24
/ Plus tax and CA$ 105 in shipping.
More works by Kevin Best
READY TO HANG
Out of the box, all LUMAS artworks are ready and easy to hang.
SECURELY PACKAGED
LUMAS works are always packed to the highest standard to make sure it arrives as perfectly as it leaves us.
ARTIST SUPPORTED
Your purchase supports the free and independent work of your favorite artist.
14 DAY RETURNS
Easy 14 day returns to make sure you are satisfied with every purchase.
Our curators recommend
About Kevin BestBAROQUE GRANDEUR EVERLASTING BEAUTIES In no era was the still life more important than the seventeenth century. Numerous types of still lifes emerged, which were to appeal to and stimulate viewers’ sensory perception. The…BACKGROUND INFORMATION
BAROQUE GRANDEUR
EVERLASTING BEAUTIES
In no era was the still life more important than the seventeenth century. Numerous types of still lifes emerged, which were to appeal to and stimulate viewers’ sensory perception.
The genre’s earliest form was the banketjes, or banquet still lifes. An arranged table, covered with culinary specialties, fine vessels, and luxurious textiles, took the foreground in this type of image. Still life masters hoped to achieve the most realistic depiction possible; it was their goal to create the perfect illusion. Photographer Kevin Best now turns the process on its head. With his studies he captures the atmosphere that must have reigned in his forerunners’ ateliers. With meticulousness and a love of detail, Best quotes Dutch still life painters from Holland and Flanders, in particular Pieter Claesz, David Bailly and Willem Kalf, whose pictures he sets up true to the originals. He interprets the Old Masters in a modern manner. At first glance his compositions have the same effect as those of the Old Masters, but a closer look reveals the image as photographic, modifying the traditional mode of observation with an ironic twist.VITA
1960 born in Arlington, New Zealand 1980-2000 Creative Director ARN/Take 2, Australia 2000-2009 Executive Group Creative Director Austereo, Australia 2007-2009 study of photography, Australian Centre for Photography, Paddington, Australia 2008 Project Gingko Bacchus Restaurant, Chengdu, China (collaboration with GRAFT Architects) lives and works in in Paddington, Australia Exhibitions
Solo Exhibitions
2010 QUT Art Museum , Brisbane, Queensland, Australia 2009 Australian National Portrait Gallery Canberra, Australia Lake Macquarie City Art Gallery , Australia Redland Art Gallery, Brisbane, Australia Noosa Regional Gallery , Tewantin, Australia Gladstone Regional Gallery, Gladstrone, Australia Group Exhibitions
from 2007 The Australian Centre for Photography, Paddington, Australia
No thanks, I would like to stay on this site.
Yes, I would like to switch.