- Exclusive offers
- Inspiring new releases
- Personal invitations to Art Events
Preview on your Wall
Scan me and see this artwork on your own wall!
(iPhone only)
Preview on your wall
Point the iPhone at the desired wall (approx. 10 feet distance) and press start.
1928 / 2011 / VOG20
Created in 1928 /
Published in 2011 /
No. VOG20
VOG20
/ Plus tax and CA$ 105 in shipping.
More works by German Vogue Collection
Vogue 1928
Vogue 1929
For a short time only:
ANNIVERSARY HOLOGRAM
To celebrate our 20th anniversary, each edition purchased before October 31st will include an exclusive commemorative hologram. Don’t miss the chance to acquire your LUMAS edition, certified as an official "Anniversary Edition."
READY TO HANG
Out of the box, all LUMAS artworks are ready and easy to hang.
SECURELY PACKAGED
LUMAS works are always packed to the highest standard to make sure it arrives as perfectly as it leaves us.
ARTIST SUPPORTED
Your purchase supports the free and independent work of your favorite artist.
14 DAY RETURNS
Easy 14 day returns to make sure you are satisfied with every purchase.
Our curators recommend
About German Vogue CollectionGerman Vogue Collection The early luck of legendary fashion magazine Vogue in Germany was short lived. From April 1928 to October 1929, up to three issues were published monthly. As fashion and aesthetic role models, the themes and…BACKGROUND INFORMATION
German Vogue Collection
The early luck of legendary fashion magazine Vogue in Germany was short lived. From April 1928 to October 1929, up to three issues were published monthly. As fashion and aesthetic role models, the themes and dress codes perfectly fit to life on the boulevards of Berlin. The original title illustrations, from the likes of Pierre Mourgue, Georges Lepape, and Pierre Brissaud, celebrated a new self-aware type of woman in all her fashionable varieties and in the best graphical manner. The New York flapper with a bob cut, top hat, pearl necklace, boa, and extra-long cigarette holder was omnipresent. The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
Stephan Reisner