Black / White
A delicate creature of ephemeral beauty, the butterfly has always played a special role in art history. Painters like Vincent Van Gogh and Salvador Dali frequently made the butterfly the subject of their work, and it has also gained traction in the contemporary art scene – not least through Damien Hirst’s Butterfly Colour Paintings.
In his two latest series, Black and White, Heiko Hellwig also celebrates the beauty and uniqueness of these colourful insects. Set before a black or white background, his incredibly detailed pieces let us admire the individual characteristics of each butterfly. From the shimmering metallic scales to the glossy compound eyes and fragile feelers, Hellwig presents the vivid insects as if though under a magnifying glass.
We immediately appreciate the rare quality of the images Hellwig preserves for all eternity. The works focus on the ambivalent relationship between beauty and finality of life – an apparent contradiction that lends Hellwig’s works a distinct melancholy.
Hellwig’s Koi series can be seen as a logical progression of his oeuvre. We can make out the finest scales forming patterns on the fish like finely composed patterns. The clear contours and monochrome background are characteristic of Hellwig’s minimalistic and precise aesthetic.
In his new series, Blossom, Hellwig reveals the beauty of flowers. “I am consciously focusing on a single perfect flower instead of a colorful, overflowing bouquet,” the artist says. Hellwig delves deep into these individual flowers, examining their gently curving petals. Hellwig views his work as the modern extension of the classic still life, with a meditative focus on the essence.
Heiko Hellwig has expanded his existing repertoire with two cut-out butterflies, making nature’s splendor accessible in a new way. These butterflies are elegantly mounted under acrylic glass, a perfect way to accent their delicate and colorful beauty. They are typical Hellwig artworks, and yet they are different; an impressive combination of natural beauty and an innovative art concept.
Small ornamental fish are transformed into fine art in Heiko Hellwig’s Grand Ballet series. The photo artist takes a few centimeters of subject matter and transforms into a series of works in epic dimensions. Every detail of the animal can be seen, every scale, every color, and every swell in their elegant fins. Hellwig gives the Southeast Asian fighting fish a stage that does them justice. They are depicted in a minimalist manner against a black background, thus emphasizing the intensity of their color and the gracefulness of their movement. The rippling water positions the fish and cunningly complements their dynamic poses.
These fish have a reputation in Southeast Asia. Their ornamental beauty is highly valued. Their magnificent colors and extravagant fins, that spread out like fans in the water, are beloved like special jewels in the aquarium. The males are known for their competitive behavior, which birthed the species its name. Their confrontations are characterized by spectacular maneuvers, which sometimes resemble the martial arts. The movements are simultaneously ballet and combat.
The musical composition of rhapsody inspired Heiko Hellwig when he orchestrated three different species of butterfly into a dynamic ensemble of color. His display reveals the butterflies in loosely assembled groups that find unity in their fascinating beauty. Their brilliant colors harmonize with their fine and delicate forms, creating a pleasant melody that swiftly mesmerizes the viewer.
The Rhapsody series is a continuation of themes that the artist has previously visited while working on his Black and Butterfly Grid series. Once again, he takes a minimalist approach, using a sleek black background which fully highlights the butterfly’s beauty. This time, however, he constructs an assemblage assorted in primary colors red, blue, and yellow. This cleverly arranged composition illustrates the animal in a marvelously energetic allure.
Heiko Hellwig was born in 1960 in Wuppertal, Germany. He spent his youth in the USA and learned his trade at various photo studios throughout Germany. By 1991, he had already opened his first photo studio. In 2005, he and artist Juliane Spitta co-founded the gallery Zukunftslabor in Stuttgart, Germany, where he currently lives and works.
|2010||Heiko Hellwig, Galerie Zukunftslabor, Stuttgart, Germany|
|2014||Changing Realities, The underground station at Alexanderplatz, Berlin, Germany|
|Gegenlicht 21, Theaterhaus Stuttgart, Stuttgart, Germany|
|2012||Kunst in der Region, Kunstverein Kirchheim, Kirchheim, Germany|
Picasso once said, "You don't make art, you find it." Where do you find your art?
Art emerges from life itself. It emerges naturally from the things surrounding us, which we then connect, link together, and re-imagine.
From concept to creation: How do you approach your work?
It varies greatly and, in some cases, arises entirely spontaneously. But some ideas also mature over years or even decades. Creativity can't be planned or categorized the way artificial computer programs can.
What’s your favorite book?
Well, it varies weekly. But right now? “Karlik” by the blind author Ursula Burkahrdt. I've found it quite interesting and inspiring to learn how blind people perceive and experience the world around them.
Which artist would you like to have coffee with and what would you talk about?
Essentially all of them. The most interesting of them all? Robert Maplethorpe! I would love to philosophize with him about flowers and blossoms, light and shadow, flora and fauna; However, I think we could also enjoy silence together.
How did you develop an interest in art?
This is a long and personal story, which is not entirely straightforward. I can say, however, that I have always been creative. Since I was born, I have always trusted my instincts. They never lets me down but, unfortunately, I don’t always listen.
Who in your life influences you the most?
Most importantly, my wife Juliana. She is a painter, sculptor, photographer, illustrator and so much more. There are also many esteemed photographers, with whom I regularly engage in lively discussion with.
If you had a time machine, where would you go?
Every day I would choose a new era. A visit to Florence during Michelangelo's time would be fantastic, but I would also love to meet the cave painters of the Stone Age. Afterards, I’d most definitely visit Oskar Schlemmer, Paul Klee, and al the great minds of the Bauhaus era. Above all, I would love to collaborate with Gropius on a new edition of the Bauhaus Manifesto, to work alongside one another.
What is your greatest passion, aside from art?
Discovering new things. I enjoy traveling, experiencing different cultures, and learning things about nature from varying perspectives.
What are you working on at the moment?