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David Beckham England v Nigeria 0 - 0 (Group stage) 12.06.2002, Nagai Stadium, Osaka, Japan
Oliver Kahn Germany v South Korea 1-0 (Semi-final) 25.06.2002, World Cup stadium, Seoul, South Korea
Ronaldinho Brazil v England 2-1 (Quarter-Final) 21.06.2002, Shizuoka Stadium, Shizuoka, Japan
Marcel Desailly France v Denmark 0 - 2 (Group Stage) 11.06.2002, Incheon Munhak Stadium, Incheon, South Korea
Pele v Bulgaria Brazil v Bulgaria, 2-0 (Group stage) 12.06.1966 Goodison Park, Liverpool, England
Diego Maradona Argentina v England 2-1 (Quarter-final) 22.06.1986 Estadio Azteca Mexico City, Mexico
Gerd Muller West Germany v Holland 2-1 (Final), 07.07. 1974, Olympiastadion Munich, West Germany
Gerd Muller & Ruud Krol West Germany v Holland 2-1 (Final) 7.07.1974, Olympiastadion, Munich, West Germany
Hans Tilkowski England v West Germany 4-2 AET (Final) 30.06.1966, Wembley London, England
Pele v Czechoslovakia Brazil v Czechoslovakia, 4-1 (Group stage), 3.06.1970, Estadio Jalisco, Guadalajara, Mexico
Pele and Ladislao Masurkiewicz Brazil v Uruguay, 3-1 (Semi-final) 17.06.1970, Estadio Jalisco, Guadalajara, Mexico
Karl-Heinz Rummenigge West Germany v Argentina 2-3 (Final) 29.06.1986, Estadio Azteca Mexico City, Mexico
Franz Beckenbauer West Germany v Sweden, 4-2 (Second round), 30.06.1974, Rheinstadion Düsseldorf, West Germany
Charlton and Tilkowski England v West Germany 4-2 AET (Final) 30.06.1966,Wembley, London, England
IntroductionBefore completing his Masters of Art at London’s Royal College in 1993, Robert Davies had been a bike messenger, foxhunting documentarian, and an adventurer in India. The British experimentalist’s photographic series are just as multifaceted as his biography. Whether creating luminous cameraless color studies in the darkness of the photo lab or photographing romantic foggy landscapes, whether commemorating the precision of the Formula 1 with prickly sharp detailed composition or experimenting with long and multiple exposures, Robert Davies exploits the medium’s possibilities.
And when billions of people follow the World Cup games on TV, he feels obliged to trace this phenomenon of collective observation and unified interest. And with their surveillance-camera look, the video stills he uses assume something ghostly. But what we see, mostly schematic and blurred, are not the coincidentally captured moments of crime but rather definitive scenes and scored goals of modern heroes, which become the fateful moments of national history. When Robert Davies robs the Formula 1 of its speed or depicts the hysteria of a banal soccer game as a gladiator battle, he agilely leaps over the borders between documentation and abstraction and, through this, continues to test our very pleasurably learned customs of seeing.
Dr. Boris von BrauchitschBio
1964 Born in Birmingham 1991-93 Royal College of Art MA Photography 1984-88 London College of Printing BA Graphic DesignCollectionsUniversity of Michigan Museum of Art, USA
Cleveland Museum of Art, Ohio, USA
Museé de l'Elysee, Lausanne, Switzerland
Cable & Wireless
FIFAPublications’90 Minutes’ Merrell, London 2006
‘The Fifa 100’ Royal Academy Publications, London 2004
‘Narration and the New
Reduction in photgraphy’ Forum Stadtpark, Graz, Austria 2003
‘Material Light’ Mark Gisbourne published by Wunderhorn 2002
'Fully Exposed' Emmanuel Cooper, published by Routledge 1995
'The Body' William Ewing, published by Thames & Hudson 1994Exhibitions
2005 ‘One’, Blue Gallery, London & Royal Academy Schools Gallery, London ‘Made in Britain’ FOAM, Fotografiemuseum of Amsterdam in conjunction with a group show at Huis Marseille 2004 ‘Untitled. The poetry of experience’, Hirschl, London ‘Chromogenesis,’ Tatar Gallery, Toronto 2003 ‘Material Light,’ KMZA, Berlin 2002 ‘Epiphany,’ Blue Gallery, London ‘Material Light’, Rhodes & Mann, London ‘Material Light’, touring Kulturzentrum Alte Feuerwache, Mannheim, Germany Stadtische Galerie, Waldkraiburg, Germany 2000 'New works', Rhodes & Mann, London 1999 'Water', Jason & Rhodes, London 1998 'Epiphany', Jason & Rhodes, London 1997 'Cloudscapes', Arquivo Fotografico, Lisbon, Portugal 'Dreamlands', Midland Arts Centre, Birmingham 1994 'Pelt', Salama-Caro Gallery, London 'Skin', The Photographers Gallery, London
2010 ‘One Shot’ Football in Contermporary Art, BPS22, Charleroi, Belgium (Andreas Gursky, Gianni Motti, Monika Fischer, PSJM) ‘Frei nach Malerei’, Kunstlerhaus, Dortmund ‘X Artworks in a Straight Line’, Crisp London Los Angeles (Graham Hudson, Joe Sola, Linn Pederson) ‘State of Play’, The Public, Walsall (Paul Smith) 2009 ‘Non Objektiv’ GKG, Bonn (Christoph Dalhausen) 2008 ‘In the palm of your hand’, Galleria La Nuova Pesa, Rome (Masao Yamamoto) ‘Balls and Brains’, Helmhaus Museum, Zurich ‘Art Basel’ with FAS Contemporary ‘Replay – the Ball in Art’ Haus fur Kunst, Altdorf, Switzerland (Sam Taylor-Wood, Paul Smith) ‘10 years’ Lutz Thalmann, Zurich 2007 ‘Monochrome2’ FAS, London (Jason Martin, Mark Francis) ‘Landscape’ supporting ‘The Ballad of Mister Bones’ (Andy Harper) Frost & Reed, London ‘Select’ Bourne Fine Art, Edinburgh (Melanie Comber Oliver Marsden) 2006 ‘Monochrome’ FAS, London 2005 ‘Made in Britain’, Huis Marseille, Amsterdam (Chris Bucklow, Susan Derges) ‘WinterReise’, Lutz Thalmann, Zurich (Howard Hodgkin & Wilfred Moser) ‘Forest’ Wolverhampton Museum & Art Gallery then touring England to Nottingham, York, Southampton (Anya Gallaccio, Dan Hays, Mariele Neudecker and Dalziel & Scullion) 2004 ‘The FIFA 100,’ The Royal Academy, London then touring to Paris & Tokyo (Mark Quinn, Vik Muniz, William Klien & Martin Parr) ‘Landscape photography’, Djanogly Gallery, Nottingham (Jem Southam) ‘Abstract Photograpy’, Galerie Renate Bender, Munich (Inge Dick, Victoria Coeln & Christoph Dalhausen) ‘Space & Structure’, Galerie Lutz Thalmann, Zurich (Oliver Kraehenbuehl) ‘Sports’, FOAM, Foto Museum of Amsterdam, Hollan (Claudio Hills, Charles Freger & Paul Wombell) 2003 ‘Alchemy’, Hirschl Contemporary Art, London (Inge Dick) ‘Optic Nerve’ Wolsey Art Gallery, Ipswich (Ricard Caldicott, Gary Fabian Miller, Rodericke Packe & Daro Montag) 2002 ‘Narration and New Reduction in Photography’, Forum Stadtpark, Graz (Christopher Williams, James Welling, Florian Pumhosl & Gunther Selichar) ‘5:1’ Alte Feuerwache, Mannheim, Germany (Ori Gersht & Roddy Buchanan) 2001 ‘Gone Missing’, Frederieke Taylor Gallery, New York (Jason Oddy) 'Is there anyone home?' Galerie Zurcher, Paris (Elisa Sighicelli, Rut Blees Luxenburg & Uta Barth) 2000 'The Body' Musee de l'Elysee, Lausanne, Switzerland (Avedon, Brassai, Drtikol, Goldin, Man Ray, Salgado & Stieglitz) 'Fusion', Rhodes & Mann, London 'Century of the Body,' Culturgest, Lisbon, Portugal 1999 'Turf Accountants', The Economist, Economist Plaza, London 1998 'Whitechapel Open', Whitechapel Gallery, London 'Blindspot No.11', Art Directors Club, New York 'Body', Cecil Higgins Art Gallery, Bedford 'Odyssey', Greene Naftali Gallery, New York 1997 'Objectif Corps', Montreal Museum of Fine Art, Canada 1996 'Above, Below', Spencer Brownstone Gallery, SoHo, New York 1994 ‘Candyman 2’, Building C, TBBC, London (Jessica Voorsanger, Bob & Roberta Smith, Toby Mott & Matthew Collings)